ARTIST STATEMENT
I’ve had a passion for art since early childhood. After spending many years visiting museums to study the works of the old masters you get to see their devotion - time and energy in order to produce a work of enduring quality. Look around at the great museums and see what stands the test of time, its works that people can relate to and understand.
I believe that in order to create a great painting an artist must pay close attention to the composition, plus meticulous attention to the use of light and devotion to the application of pigments. I find great inspiration for all of my paintings just from the movement of light and shadows that reveal all of the details and evoke a pleasing combination of form and value.
Most of my paintings come from the people that I have met, or ideas from literature, I like telling a story with my works in order for it to have some type of meaning. If you are going to execute quality paintings, it requires a lot of study, work and sensitivity.
I feel that it’s important that every artist should try and accomplish his or her highest level of excellence. It is my hope that everyone will see beauty and all of my attention to detail in each painting.
ARTIST BIO
Ed’s education in art is extensive. He attended the Columbus College of Art & Design in Columbus, Ohio, and the Famous Artist School in Westport, Connecticut where he earned his Bachelor of Fine Arts Degree. Following these studies, he worked as a commercial illustrator for various advertising agencies and continued his career by becoming a highly-skilled restoration artist, meticulously restoring paintings on canvas, wood panels and oils on copper plates.
It was through restoring old master paintings that truly developed his depth of understanding the techniques used by the great artist of the past. The knowledge that he gained over the past 50 some years, has helped him to understand their methods which he now incorporates with his own creative ability.
Being a master artist in realism art, and having his paintings hanging in permanent Museum collections, Ed has the knowledge and skills to copy and match any technique or period of time in order to duplicate the missing areas of a painting. He has given numerous lectures on restoration and old master techniques, he has written several books on this subject and a few "How to Books" on copper paintings from the 1400s to the 1600s.
Ed's professional accomplishments include:
PERMANENT MUSEUM COLLECTIONS
I’ve had a passion for art since early childhood. After spending many years visiting museums to study the works of the old masters you get to see their devotion - time and energy in order to produce a work of enduring quality. Look around at the great museums and see what stands the test of time, its works that people can relate to and understand.
I believe that in order to create a great painting an artist must pay close attention to the composition, plus meticulous attention to the use of light and devotion to the application of pigments. I find great inspiration for all of my paintings just from the movement of light and shadows that reveal all of the details and evoke a pleasing combination of form and value.
Most of my paintings come from the people that I have met, or ideas from literature, I like telling a story with my works in order for it to have some type of meaning. If you are going to execute quality paintings, it requires a lot of study, work and sensitivity.
I feel that it’s important that every artist should try and accomplish his or her highest level of excellence. It is my hope that everyone will see beauty and all of my attention to detail in each painting.
ARTIST BIO
Ed’s education in art is extensive. He attended the Columbus College of Art & Design in Columbus, Ohio, and the Famous Artist School in Westport, Connecticut where he earned his Bachelor of Fine Arts Degree. Following these studies, he worked as a commercial illustrator for various advertising agencies and continued his career by becoming a highly-skilled restoration artist, meticulously restoring paintings on canvas, wood panels and oils on copper plates.
It was through restoring old master paintings that truly developed his depth of understanding the techniques used by the great artist of the past. The knowledge that he gained over the past 50 some years, has helped him to understand their methods which he now incorporates with his own creative ability.
Being a master artist in realism art, and having his paintings hanging in permanent Museum collections, Ed has the knowledge and skills to copy and match any technique or period of time in order to duplicate the missing areas of a painting. He has given numerous lectures on restoration and old master techniques, he has written several books on this subject and a few "How to Books" on copper paintings from the 1400s to the 1600s.
Ed's professional accomplishments include:
- Lectures at Museums and Art Organizations
- Produced a Video - Techniques and Procedures on Painting with Putrido,
- Produced a Video - Painting on Copper
- Published articles on Technique and Methods of the Old Masters
- Published "Traditional Painting Methods using Putrido"
- Published "Traditional Studio Practice"
- Published "How to Paint on a Copper Plate"
- Published “Getting Framed" How frames are made with compo.
- Member of the (IGOR) International Guild of Realism
- Former Member (A.I.C.) American Institute for Conservation of Historic and Artistic Works
- Member (ARC) Art Renewal Center (Associate Living Master Artist)
PERMANENT MUSEUM COLLECTIONS
- Loyola Museum - Chihuahua, Mexico. - Painting "TWO APOSTLE'S"
- Museum of Western Art - Kerrville, Texas. - Painting "CALLING THE BUFFALO"
- Pearce Museum - Corsicana, Texas. - Painting’s "PATCHWORK ON THE RUN" & “LAST GOODBYES”
- Natural History Museum-Ozark's - Springfield, MO. Painting’s "CHIEF BIRD-IN-GROUND" & "THE ARROW MAKERS" & "PLAN OF ACTION"
- Spencer Museum -Ruidoso/Alto, New Mexico. Painting "COAL MINE PALETTE"
OVERVIEW
Here we see a young lady leaning on a tree branch as she gazes past you, taking a little break from her daily chores.. Painting and frame are in excellent condition.
More detailed condition information request can be obtained via email from QC FINE ARTS. Any condition statements given, as a courtesy to client, is only an opinion and should not be treated as a statement of fact. QC FINE ARTS shall have no responsibility for any error or omission.
More detailed condition information request can be obtained via email from QC FINE ARTS. Any condition statements given, as a courtesy to client, is only an opinion and should not be treated as a statement of fact. QC FINE ARTS shall have no responsibility for any error or omission.